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supported by 41 fans who also own “Live at Wasteland (20th Nov 2016)”
Hashshashin's music is a bold fusion of sound and style, excitingly blending power with finesse to create sounds from another world. Urgent compositions possessing thunderous speed are swiftly countered by moody passages where darkness lies – each track attracts with unique attributes.
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supported by 25 fans who also own “Live at Wasteland (20th Nov 2016)”
I absolutely love the highly energetic mix of rock middle-eastern traditional music. This one is especially good. it instantly sucks you into it's story and tells you a wonderful and exhilarating tale.
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nihsahshsaH (adj.)
by Hashshashin
supported by 24 fans who also own “Live at Wasteland (20th Nov 2016)”
The most underrated band in all Australia. This appeals to everyone to fans of 60s psychedelia to the seediest bellies of metal. Hashshashin should be bigger than they are now.
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Chronology: Live 1968-69
by Joe Harriott
featured on Bandcamp Radio Oct 6, 2020
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Seven for Lee / Green and Orange Night Park
by Kevin Figes & You Are Here
A pair of tracks from saxophonist/composer Kevin Figes and his group pay tribute to the work of Keith Tippett.
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Sydney-based trumpeter-composer Ellen Kirkwood uses melody and driving rhythms to reflect the magic of nature in ten original compositions.
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A Series Of Disagreements
by Instrumental (adj.)
supported by 24 fans who also own “Live at Wasteland (20th Nov 2016)”
I've been listenining this non stop since I discovered it. incredible musichanship and taste for harmonies. the tracks flow incredibly well but surprise you at every change. Love the rhythm fuckery that's going on, so inspiring.
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